Radioplay:
Whoppers!
A Mammoth Whopper

 

CHARACTERS

In the High Street:
 
COLONEL DIGBY THROCKMORTON...... ......a 704-year-old whopper-teller
OLD MRS. BINSLEY...... ......an old dear fond of elephants
JULIUS K. BINSLEY...... ......a ruined bookie
 
 
In Mother Russia:
 
ANATOLY THROCKMORTONOVITCH-ON-THE-MINSK...... ......a Russian youth
LEONID MELNIKOV...... ......Anatoly's burly pal
MAJOR IKFETT...... ......a toothless old man
BORIS CROW...... ......a crow
GRANFATHER THROCK'VITCH-ON-THE-MINSK...... ......who was once Stalin's barber
VLADIMIR GOMEL...... ......a grim official
I.B. GROZNYY...... ......a man with a weak bladder
BORIS SHANKDAGZ...... ......a lovesick official
CHAIRMAN-GENERAL LUSHNUTKO...... ......a very great but sleepy man
PROKHOBRA...... ......an official of the gas company
YURI KROBOTKIN...... ......another gas company man
SVETLANA...... ......the second-ugliest woman in Siberia
 
 
Also:
 
348 MAMMOTHS


SCENE 1
Ext. Street
 
FX/GRAMS PLAY IN WITH A JAUNTY 1950s TUNE. PEEP OF TRAFFIC, THE CLIP-CLOP OF THROCKMORTONG WALKING JAUNTILY ALONG A HIGH STREET, HE SINGS 'UNDERNEATH THE MANGO TREE' TO HIMSELF
 
THROCKMORTON: (TO PASSERS-BY, ENORMOUSLY HALE AND HEARTY) Good morning! Morning! Lovely day! Morning!
 
PEOPLE IN STREET: 'Morning!' 'Morning, Colonel!' 'Super day, what!'.
 
SPOT THROCKMORTON'S FOOTSTEPS SEEM TO BE DANCING, HE TAKES A DEEP BREATH AND SIGHS WITH SATISFACTION
 
THROCKMORTON: What a wonderful morning! It reminds me of August the twelfth, 1703.
 
SPOT THE SHAKING OF A COLLECTING-TIN, MILDLY, THEN AGGRESSIVELY
 
OLD MRS BINSLEY: (A SWEET, WELL-MEANING OLD DEAR) Excuse me, sir, but would you care to give to the elephants?
 
THROCKMORTON: Elephants?
 
OLD MRS BINSLEY: I'm collectiong for the elephants.
 
THROCKMORTON: I can't see any elephants.
 
OLD MRS BINSLEY: (A LITTLE THROWN) They're not here.
 
THROCKMORTON: Why not?
 
OLD MRS BINSLEY: Because...
 
THROCKMORTON: Because what?
 
OLD MRS BINSLEY: (DITHERINGLY THINKING OF A REASON) Because... because...
 
THROCKMORTON: Spit it out, woman!
 
OLD MRS BINSLEY: (ALMOST TEARFUL) Because they're being shot at in Africa.
 
THROCKMORTON: Good for them. Sounds much more fun.
 
OLD MRS BINSLEY: But it's not! Really it's not! I need money to save them.
 
BINSLEY: (COMING UP IN A MOOD, TO THROCKMORTON) Are you upsetting my mother?
 
THROCKMORTON: I do hope not.
 
BINSLEY: Why don't you give the poor old dear something for the elephants? You can see she's beside herself.
 
THROCKMORTON: Money for elephants. I don't see why not. (A JANGLE IN HIS POCKETS) Erm, how about one of these self-multiplying 50-pence coins of mine. Just put it in a drawer overnight and next morning the drawer will be full of 50-pence coins.
 
OLD MRS BINSLEY: Oh, thank you, thank you, kind sir. I thank you. My little boy thanks you. The elephants thank you.
 
FX SHE MAKES A WEIRD TRUMPETING ELEPHANT-ISH SOUND
 
THROCKMORTON: Is she quite all right?
 
BINSLEY: (AGGRESSIVELY) She's much better. Don't listen to what they say! (IN A SLY TONE) Here, let's have a butcher's at that 50-pence.
 
SPOT A TWANGING AS BINSLEY FLICKS THE COIN IN THE AIR, BITES IT AND TAPS IT
 
BINSLEY: Self-multiplying, you say?
 
SPOT IN BACKGROUND, SHAKING HER TIN, OLD MRS BINSLEY MAKES MORE TRUMPETING NOISES
 
OLD MRS BINSLEY: (IN BACKGROUND) Give generously to the elephants!
 
THROCKMORTON: Yes, yes... self-multiplying.
 
BINSLEY: You sure?
 
THROCKMORTON: I, young sir...
 
BINSLEY: I'm not young. I'm 47.
 
THROCKMORTON: I, young sir...am 704-years-old and haven't been unsure of anything since I was 302. Speaking of elephants reminds me of...more elephants. Mammoths, actually. You'll be fascinated by this, a story about mammoths... you can tell your mother when she's even more better.
 
FX OLD MRS BINSLEY TRUMPETS IN BACKGROUND
 
THROCKMORTON: This was a year or two ago, in Russia... my grandmother's aunt was married to Ivan the Terrible, you know, and he was.
 
BINSLEY: Was what?
 
THROCKMORTON: Terrible. (LOSES HIS PLACE) Erm, I was telling you about artichokes, was I?
 
OLD MRS BINSLEY: (IN BACKGROUND, RATTLING HER TIN) Elephants! Elephants!
 
THROCKMORTON: Of course, elephants. Mammoths, anyway, a very elephanty sort of beast on the whole. Tusks, trunk, all the necessary. You're not going anywhere, are you?
 
BINSLEY: I was going to the doctor's to have my bottom X-rayed.
 
THROCKMORTON: Nonsense. You're perfectly healthy.
 
BINSLEY: Am I?
 
THROCKMORTON: This story concerns one of my nephews, on the Russian side of the family, you understand, Anatoly Throckmortonovitch-on-the- Minsk. A year or so ago he was terribly worried.
 
BINSLEY: His bottom?
 
THROCKMORTON: Worse. He was about to be called up to fight in the Russian army against the Afghanistanis. He lived in Moscow with his grandfather and a pet crow called...I forget its name. His best friend was an enormous youth called Leonid Melnikov. He was going to be called up too, and could hardly wait. He had a pet crow as well, but it was dead.
 
BINSLEY: Starved?
 
THROCKMORTON: So am I. Have an egg sandwich.
 
GRAMS BRING UP THE RUSSIAN NATIONAL DIRGE IN BACKGROUND
 
THROCKMORTON: (CONTINUES SPEAKING WHILE CHEWING AN EGG SANDWICH) Anatoly and Leonid met every day in a café in Gom, the big shopping centre in Moscow. They served up the most horrible buns in the world in this particular café. An autumn day in Moscow. There was a red sky over Red Square and all the snowflakes looked pink, like flakes of salmon floating towards Lenin's tomb.
 
BINSLEY: Where does the mammoths come into it?
 
THROCKMORTON: Be patient, man!!!
 

 
SCENE 2 Int. Café
 
FX/GRAMS THE RUSSIAN NATIONAL DIRGE CONTINUES, CLINK OF SPOONS AND PLATES, HUMM OF DINERS
 
LEONID: Why don't they ever play another record?
 
ANATOLY: They've only got one record.
 
LEONID: Why don't they play the other side?
 
ANATOLY: This is the other side. It's the same on both sides.
 
TOOTHLESS OLD MAN: You finished with that bun?
 
ANATOLY: Not quite...hey!
 
SPOT A RETREATING CACKLE AS THE OLD MAN RUNS OFF
 
ANATOLY: He pinched my bun!
 
LEONID: Have mine, it's the horriblest bun in the world. Even horribler than the five others I've just eaten.
 
ANATOLY: (BITES HORRIBLE BUN) When we're in the army in Afghanistan we'll dream of buns like these.
 
LEONID: Can't wait!
 
ANATOLY: You must be mad.
 
LEONID: You won't say that when I'm a General.
 
ANATOLY: When you're a General you'll be mad for sure. All Generals are mad or they wouldn't be Generals. They'd be something sensible...
 
LEONID: Like what?
 
ANATOLY: (WHISPERS) Leonid.
 
LEONID: Uh?
 
ANATOLY: (WHISPERS) He's back.
 
LEONID: Who is?
 
ANATOLY: The bun pincher.
 
TOOTHLESS OLD MAN: You finished with that bun?
 
ANATOLY: BUZZ OFF!!!
 
LEONID: He's an old soldier. Show some respect. Give him your bun.
 
ANATOLY: Won't.
 
LEONID: Give it him!
 
ANATOLY: His pockets are bulging with buns! Look at him! He sells them back to the café.
 
SPOT SCUFFLE AND CHINK AS LEONID TAKES THE BUN
 
LEONID: Here, little father, a bun for your collection. Compliments of Leonid Melnikov and Anatoly Throckmortonovitch-on-the-Minsk.
 
TOOTHLESS OLD MAN: (CACKLES, EATING BUN AS HE RETREATS INTO HISTORY)
 
ANATOLY: We'll both end up like him if we go to Afghanistan.
 
LEONID: Not me.
 
ANATOLY: Yes you will, after you've had nothing to eat but hamsters for five years.
 
LEONID: (VERY WORRIED) What hamsters is this?
 
ANATOLY: In the desert there's nothing to eat but hamsters. And you have to catch them yourself. My girlfriend's new boyfriend has a cousin who was telling him about a friend of his who came home on leave and was still chasing the hamsters in his sleep.
 
LEONID: Urrr, you've put me right off going now. (SHIVERS WITH DISGUST) Hamsters!
 
ANATOLY: Talking of sleep gives me an idea. YES. That's what I'll do, I'll wake my grandfather up. He'll fix things up for us with one of his brilliant suggestions.
 
SPOT HE GETS UP, RATTLING THE TABLE, HE WALKS BRISKLY AWAY INTO THE SHOPPING CROWDS. THE HOLLOW ACOUSTIC OF GOM
 

 
SCENE 3 Int. Shop
 
LEONID: (CHASING) Anatoly! Anatoly! Wait! (CATCHING UP) You can't wake your grandfather. He's been asleep for three years. He might die if he wakes up!
 
ANATOLY: It's his own fault for staying asleep for so long. He'll know what to do, I'm sure he will. He's a brilliant man my grandfather.
 
LEONID: If he's so brilliant, how come he's living on the 43rd floor of the most miserable block of flats in Moscow? How come he's not head of the KGB?
 
ANATOLY: I'll tell you how brilliant he is. In the bad old days...
 
LEONID: These are the bad old days.
 
ANATOLY: In the badder older days, when President Stalin was trying to have my grandfather executed, he disguised himself as Stalin's own mother for eleven years and was never found out.
 
SPOT THEY ARE WALKING AWAY FROM US, INTO CROWDS
 
LEONID: Yeah, that is pretty brilliant, I suppose.
 
ANATOLY: I should coco.
 
GRAMS FAST BALALAIKA MUSIC....
 

 
SCENE 4 Ext: Street
 
GRAMS FADE BALALAIKA MUSIC
 
THROCKMORTON: (DIRECTLY TO US) The light was failing on another day in the history of Moscow. The red snowflakes were turning to black rain. People walked to and fro with their faces pointing at their shoes. Their bellies were warm in their coats but their noses were red and dripping as they trudged home to a block of flats to the north, south, east or west of Red Square. Blocks and blocks of flats. More blocks of flats. Blocks of flats, identical blocks of flats, forests of miserable blocks of flats, every block of flats the same and just as miserable as the other blocks of flats...except one, right on the northern edge of the city.
It was twice as miserable and everyone who lived there who wasn't asleep was writing something horridly miserable in their diary. This was the block of flats that Anatoly and Leonid were heading for, in the miserable black rain, at the end of their boring day.
 
BINSLEY: Where does the mammoths come into it?
 
THROCKMORTON: Be patient, man!
 

 
SCENE 5 Int: Flat
 
FX THE HEAVY CLUNK OF ANATOLY AND LEONID IN THE CORRIDOR OUTSIDE FLAT 43/5. THEY SNEEZE, ANATOLY RATTLES HEAVY KEYS. IT SOUNDS LIKE A CASTLE DOOR OPENING, MORE AND MORE LOCKS.
 
LEONID: Why have you got so many locks? There's nothing in there worth stealing.
 
ANATOLY: Someone might steal my grandfather and put him in a meat pie. Three boys in our class at school lost their grandfathers that way.
 
LEONID: You don't say!
 
SPOT THEY BURST IN, GOING 'BRRRRR' FROM THE COLD
 
LEONID: It's colder in here than it is outside.
 
FX THE SLOW CAW OF A CROW
 
ANATOLY: Hiya, Boris! Had a nice day?
 
FX A SLOW MISERABLE-ISH CAW
 
LEONID: He looks hungry.
 
ANATOLY: You feed him some ballbearings while I wake up my grandfather.
 
FX EXCITED CAWING
 
LEONID: Shut up! I'm coming!
 
FX A CLINKING OF BALLBEARINGS
 

 
SCENE 6 Int: Flat
 
  A HUSHED, CLOSE ROOM
 
FX THE LOW SNORE OF AN OCTOGENARIAN
 
ANATOLY: (WHILE SHAKING HIM, LOUDER WITH EACH SHAKE) Grandfather. Grandpapa. Grandpappy. Wake up, you old nit!
 
  THE SLOW GROAN OF A MAN WITH A LAWNMOWER STUCK IN HIS THROAT
 
ANATOLY: (EXCITED AT HAVING HIM AWAKE) Grandad! You're awake!
 
GRANDFATHER THROCK: Who's an old nit?
 
ANATOLY: Sorry, Grandfather.
 
GRANDFATHER THROCK: How many years have I been asleep?
 
ANATOLY: Three years, Grandfather.
 
GRANDFATHER THROCK: Only three? You sure?
 
ANATOLY: Three years and two months, Grandfather.
 
GRANDFATHER THROCK: (SATISFIED THAT HE WAS RIGHT) Ah!
 
LEONID: (PUSHING OPEN DOOR, IN A LOUD WHISPER) I've given this crow of yours eleven ballbearings and he still wants more!
 
GRANDFATHER THROCK: Who's that? KGB?
 
ANATOLY: That's my friend Leonid Melnikov, Grandfather. We're both of us in a spot of bother. That's why I've woken you up. To ask your advice.
 
GRANDFATHER THROCK: Approach the bed, Leonid Melnikov.
 
SPOT/FX LEONID'S FLOORBOARD-CREAKING APPROACH
 
LEONID: Yes, sir.
 
GRANDFATHER THROCK: You have woken me up to ask my advice?
 
LEONID: Yes, sir.
 
GRANDFATHER THROCK: Never give a crow more than eleven ballbearings. Goodnight. (HE IS IMMEDIATELY SNORING)
 
ANATOLY: (SHAKING HIM ROUGHLY) Grandfather! Grandpappy!
 
GRANDFATHER THROCK: (WAKING UP) Ugh? Ugh?
 
ANATOLY: That's not the advice we want. It's about the war.
 
GRANDFATHER THROCK: War? War?
 
ANATOLY: The war that's in Afghanistan. It hadn't started when you went to sleep.
 
GRANDFATHER THROCK: Afghanistan? Where's that?
 
ANATOLY: Down there somewhere.
 
GRANDFATHER THROCK: Down there?
 
ANATOLY: Leonid and I will be old enough to be in the army in a few weeks' time. They will send us to Aghanistan where we shall be killed for sure.
 
LEONID: (VERY WORRIED) It's the hamsters that does it. Their fur clogs up your guts.
 
ANATOLY: He's right.
 
GRANDFATHER THROCK: (DREAMILY) I was having a dream about Bibcoff.
 
LEONID: Who's...
 
ANATOLY: (INTERRUPTS WITH A RASP) Don't ask him who is Bibcoff!!!!
 
LEONID: Who's...
 
ANATOLY: (A MORE EARNEST RASP) Don't ask him who is Bibcoff!
 
LEONID: (WITH ANGELIC INNOCENCE) Who is Bibcoff?
 
GRANDFATHER THROCK: (SCREAMS IN FURY) Bibcoff! BIBCOFF!!!! BIBCOFF!!! (THEN WITH LOVING NOSTALGIA) Ahhhh,my poor Bibcoff! My dearest friend. I was Stalin's barber, you know.
 
ANATOLY: He knows.
 
LEONID: I know.
 
GRANDFATHER THROCK: I cut Stalin's hair for him. And Bibcoff, he cut Stalin's moustache for him. One day Stalin jumped from his chair screaming: "It's a plot! My barbers are trying to kill me!". Poor Bibcoff was never seen again. But I... I... (HE GIGGLES)
 
ANATOLY: Afghanistan, Grandfather. What can we do?
 
GRANDFATHER THROCK: (BORED WITH THE SUBJECT) Oh, I'll write you a note for Chairman-General Lushnutko. Pen! Paper! (THE BRIEFEST FUSS WILE THIS IS PROVIDED. HIS PEN SCRATCHES LIKE A MONK'S) I cut Lushnutko's hair right until the time he went completely bald. He will give an exemption for you and your friend. He is a good man. (FALLING ASLEEP) Take him some chocolates... and dancing-girls, lots of dancing-girls.
 
LEONID: Dancing-girls?
 
ANATOLY: I think he was starting a dream.
 
BORIS THE CROW: I want another ballbearing! Another ballbearing.
 
LEONID: Who said that?
 
GRAMS FAST BALALAIKA MUSIC
 

 
SCENE 7 Int: Hall
 
  A HUGE HOLLOW RECEPTION HALL. HUM OF THE MANY PEOPLE WAITING TO IN THE BACKGROUND
 
ANATOLY: Excuse me, we've come to see Chairman-General Lushnutko.
 
GRIM OFFICIAL (GOMEL): You mean Chairman-General Aliev. And get that filthy crow out of here!
 
LEONID: (WHISPERS, TO ANATOLY) Stick it up your jumper.
 
FX SOUND OF A CROW BEING RELUCTANTLY STUCK UP ANATOLY'S JUMPER
 
VISITOR (GROZNYY): (A SMALL SAD VOICE) When will the Chairman-General be able to see me? I'm frightened to go to the toilet in case I miss my turn and I've been waiting five days.
 
GRIM OFFICIAL: Chairman-General Aliev is a very busy man.
 
ANATOLY: We're not here to see Chairman-General Aliev. We're here to see Chairman-General Lushnutko.
 
GRIM OFFICIAL: Chairman-General Lushnutko was Chairman-General Aliev's predecessor. He's been dead for years.
 
LOVESICK OFFICIAL (SHANKDAGZ): He's not dead. No. He's still in his office. Asleep. I went looking for my secretary in there last week and there he was, snoring away.
 
GRIM OFFICIAL: I don't believe it.
 
LOVESICK OFFICIAL: I would have told you. But you're always so busy. Come on, you laddies, I'll show you where he is.
 
SPOT/FX THE CLIP-CLOP OF FOOTSTEPS IN A LONG CORRIDOR
 
LOVESICK OFFICIAL: I can't find my secretary anywhere. She's very beautiful, you know. This is a picture of her putting the shot.
 
LEONID: Very pretty.
 
FX MUFFLED CAWS OF THE CROW
 
ANATOLY: Shhhh, Boris! Daft crow!
 
LOVESICK OFFICIAL: Here we are.
 
SPOT/FX HUGE CREAK OF DOOR, THE SNAPPING OF COBWEBS. THEY ENTER WITH SLOW FOOTSTEPS, THE DISTANT PLAYING OF A ROMANTIC BALALAIKA. CLOSER: HEAVY PIGGISH SNORING
 
ANATOLY: (WHISPERS) How long's he been asleep?
 
LOVESICK OFFICIAL: Ooooh... (UNDER HIS BREATH, A QUICK CALCULATION) I'm 43, my secretary's 22, Chairman-General Aliev weighs 8 stone 6 pounds... (ANNOUNCES IN NORMAL VOICE) ...since 1957, I think.
 
LEONID: Your grandfather was right. He hasn't a hair on his head.
 
ANATOLY: Plenty up his nose though.
 
FX/SPOT THE CLAWING ESCAPE OF BORIS THE CROW, FLAP OF HIS WINGS, HUGE CAWS!!! CAWS THAT COME TOWARDS US!!! A CAW IN OUR FACES!!! THEN CAWS AND FLAPPING CIRCLING THE ROOM, LEFT TO RIGHT, RIGHT TO LEFT
 
LUSHNUTKO: (WAKING UP, HIS SNORING PUTTERING OUT LIKE A MOTOR-BOAT OUT OF PETROL) Ugh! Ugh! What is it? A blasted crow disturbing my little snooze! I'll give you what I gave the Germans at the siege of Leningrad!!!!
 
FX HE SHOOTS AT THE CROW FIVE TIMES, LAUGHING WITH SATISFACTION
 
ANATOLY: (INTERRUPTING HIS ATTACK) Excuse me, Chairman-General. Sir. Excuse me.
 
FX MORE SHOOTING
 
LUSHNUTKO: (INFURIATED) He's catching my bullets in his teeth. He's chewing them! What cheek!
 
FX MORE SHOTS, IN QUICK SUCCESSION
 
ANATOLY: Excuse me, sir. I am Anatoly Throckmortonovitch-on-the-Minsk, the grandson of the Throckmortonovitch-on-the-Minsk who used to cut your hair when you had hair. Here's a note introducing us...and some chocolates.
 
LUSHNUTKO: Ummm...no toffees, I hope.
 
LEONID: (PIPING IN) I had the toffees.
 
LUSHNUTKO: What's this say? ... (MUTTERS THROUGH THE NOTE, SCREWS IT UP AND THROWS IT AWAY) Nonsense. (CONTINUES SHOOTING) Throckmortonovitch is far too young to have grandchildren.
 
ANATOLY: He's 74, sir.
 
LUSHNUTKO: Ooo, how long have I been asleep?
 
ANATOLY: Three hundred years, we think.
 
LUSHNUTKO: Oh dear! Is there still anyone waiting to see me?
 
LOVESICK OFFICIAL: I'll go and look, Chairman-General.
 
FX BORIS THE CROW CONTINUES FLYING ABOUT, CAWING
 
ANATOLY: My grandfather said you would sign an exemption for me and my friend Leonid Melnikov....
 
LEONID: That's me.
 
LUSHNUTKO: Good afternoon.
 
ANATOLY: ...so that we don't have to go to fight in the war in Afghanistan.
 
LUSHNUTKO: Afghanistan?
 
ANATOLY: It's down there.
 
LUSHNUTKO: Well, yes, of course, dreadful business, I'm sure.
 
SPOT CLINK OF OPENING INKWELL
 
LUSHNUTKO: This ink's dry.
 
ANATOLY: (POPPING HIS BALLPOINT TO LIFE) Borrow my pen, sir.
 
LUSHNUTKO: Thankyou, lad. (THE SOUND OF HIS SCRAWLING ON PAPER) Anything for old Throckmortonovitch-on-the-Minsk. (AFTER A YAWN) Still dressed as Stalin's mother, is he?
 
ANATOLY: Actually, he doesn't wear anything at all these days. He's in bed asleep.
 
LUSHNUTKO: (SLEEPILY) Asleep. Asleep. There you are then (GETING QUIETER AS HE DOZES OFF) Show that at the recruiting office and they'll let you off the army. Of course, you'll have to go to Siberia instead.
 
LEONID: What did he say?
 
ANATOLY: I didn't catch it.
 
BORIS THE CROW: (SHOUTING FROM HIS PERCH) He said you have to go to Siberia instead and serve your country like good Russians. You'll work for the Siberian Gas Board and get paid ten roubles a month and eat nothing but yak butter. Stupid fools!
 
LEONID: Who said that?
 

 
SCENE 8 Narration
 
BINSLEY: You said there'd be mammoths!
 
THROCKMORTON: Be patient! There'll be plenty mammoths in a tick. The story goes to Siberia next and that's where you get mammoths.
 
BINSLEY: I want mammoths!
 
THROCKMORTON: SIBERIA!!!!
 
FX THE WIND WHISTLES, ICE RATTLES IN A BUCKET
 
THROCKMORTON: My nephew Anatoly and his friend Leonid Melnikov...
 
LEONID: That's me!
 
THROCKMORTON: ...were appointed officials of the Siberian Gas Board and sent to look after a stretch of the gas pipeline near the Arctic circle. The snowy foresty wastes! Silver birch and pine trees! Silence...just the sound of the ice cracking on the lake in the long twilight hours.
 
BINSLEY: And mammoths.
 
THROCKMORTON: Not yet!
 

 
SCENE 9 Ext: Snow/Int: Shed
 
SPOT/FX THEY ARE TRAMPING THROUGH DEEP SNOW
 
LEONID: My eyes have frozen!
 
ANATOLY: Keep blinking! Brrrr.
 
LEONID: I wish I was in Afghanistan being shot at and eating hamsters. (HE SNEEZES)
 
FX/SPOT THE SOUND OF A CROW'S BEAK CHATTERING
 
ANATOLY: Shhhh, Boris. We're nearly at the gas substation.
 
PROKHOBRA: (A DEEP CRUEL VOICE) Hurry up, you two! We're nearly there.
 
FX THE WHISTLE OF ICY WIND
 
SPOT/FX PROKHOBRA FORCES THE DOOR, BREAKING ICICLES. HE SLAPS HIMSELF WARM AND STAMPS SNOW OFF HIS SHOES
 
  THE BOYS COME INSIDE AND DO LIKEWISE
 
FX IN THE BACKGROUND IS A CLUNK-BUR-WHISSS OF THE GAS PUMPING THROUGH THE MACHINE, ALSO A SOUND LIKE A BEAR SPITTING MICE INTO A TIN
 
PROKHOBRA: Listen, you two, I'll say this only once.
 
ANATOLY/LEONID: Yes, Comrade Prokhobra.
 
PROKHOBRA: This is your chair, here. And you, big lugs, this is your chair. This is where you sit.
 
LEONID: We sit in those chairs. (HE SNEEZES)
 
PROKHOBRA: (ANGRY) That's what I said! You sit and watch.
 
ANATOLY: Watch?
 
PROKHOBRA: Watch.
 
LEONID: Watch for what?
 
PROKHOBRA: Just watch.
 
ANATOLY: But what does this machine do?
 
PROKHOBRA: Nothing.
 
LEONID: So why watch it? (HE ALMOST SNEEZES)
 
PROKHOBRA: Somebody has to watch it! If anything happens, which it won't, you can call me on that green phone, not that green phone, that's the ordinary green phone, but that green phone.
 
LEONID: This green phone here.
 
PROKHOBRA: NO, THAT ONE THERE! If the snow has brought the wire down and the green phone, this green phone, doesn't work, you can telephone Plopoff in Novosibirsk (LEONID SNEEZES IN BACKGROUND) on the other green phone, this green phone. But if that line is down too, and it always is, you must come and fetch me in my substation.
 
LEONID: Where's that exactly?
 
PROKHOBRA: It's on the map! You can't miss it. Just follow the pipeline North. Not South, or you'll come to Krobotkin's substation and he doesn't know you so he'll shoot you for sure. Just follow the pipeline North and you'll find my substation. It's the same as this, only bigger. Svetlana and I have chairs just like these. We sit and watch.
 
ANATOLY: (WHISPERS, TO LEONID) Don't ask him about Svetlana.
 
LEONID: Ermmmm... one thing...
 
ANATOLY: Not Svetlana! Don't ask him about Svetlana!
 
LEONID: (WITH ANGELIC INNOCENCE) Who's Svetlana?
 
PROKHOBRA: (SCREAMS) SVETLANA!!!! SVETLANA!!!! She's big!!! BIG!!! But she's beautiful, ooooooo, so beautiful. AND BIG!!! She's a BIG WOMAN!!! They've told you, haven't they? They're all jealous, they want her for themselves, but she's MINE!!! MINE!!! (A QUIETER CONFIDENCE) Do you know, she's so beatiful that I daren't look her straight in the face. I cover my eyes with a rasher of bacon, or I'd drop dead. Ooooh, Svetlana! Did I say she was big?
 
ANATOLY/LEONID: (GRUNT IN THE AFFIRMATIVE)
 
PROKHOBRA: (BARKS MADLY) YOU CAN'T HAVE HER!!!! SHE'S MINE!!! IF YOU TRY TO CHAT HER UP I'LL TWIST YOUR HEADS OFF!!!
 
LEONID: I don't want her, I promise.
 
ANATOLY: He doesn't want her. Honest. Me neither.
 
PROKHOBRA: That's all right then. Come outside so I can show you the valves.
 
  (ON THEIR WAY ALREADY)
 
LEONID: The valves?
 
FX OUTSIDE, THE WHISTLE OF ICY WIND
 
PROKHOBRA: (YELLING ABOVE THE WIND) See this red valve. Not that one, this one. Keep your eyes on it. Don't let anyone touch it.
 
ANATOLY: But there's no-one for thousands of miles.
 
PROKHOBRA: There's me.
 
LEONID: And Svetlana.
 
PROKHOBRA: (RASPS) Svetlana!!!
 
LEONID: She's very beautiful...and big too, big.
 
PROKHOBRA: (WITH LOVESICK SIGHS) She is! She is!
 
ANATOLY: But you wouldn't, would you, and neither would she.
 
PROKHOBRA: Wouldn't what?
 
ANATOLY: Touch the red valve.
 
PROKHOBRA: If anybody touches that red valve we'll all get blown sky high... you, me, him, Svetlana, Krobotkin, everybody. Got it?
 
ANATOLY/LEONID: Yes, Comrade Prokhobra.
 
PROKHOBRA: I'd better be off. There's yak's feet for supper and Svetlana will eat them all if I don't hurry back.
 
LEONID: Yes, I was meaning to ask. Food?
 
PROKHOBRA: (CALLING BACK, ON HIS WAY) There's some yak's cheese, some yak butter, and sixty-one yak's feet in the cupboard. And under the bed you'll find some buns that I have sent in on the Moscow train. A real treat, those buns. They only make them in one café in Moscow.
 
LEONID: (MISERABLY) I'll bet I know which one. (HE CHUCKLES)
 
  (ANATOLY LAUGHS, LEONID'S LAUGHTER GROWS)
 
PROKHOBRA: (SHOUTING BACK, FROM DISTANCE) SHE'S MINE!!! ALL MINE!!!
 
LEONID: Come on, let's have a yak's foot and a bun each. I'm starved.
 
PROKHOBRA: (HURRYING BACK) I forgot to tell you about the mammoths.
 
BINSLEY: (CLOSE, INTERRUPTS) At last! Mammoths!
 
PROKHOBRA: I'll come back next week, or maybe the week after. (HURRYING AWAY AGAIN) I'll tell you then.
 

 
SCENE 10 Int: Shed/Ext: Snow
 
THROCKMORTON: (CLOSE, NARRATING) Days passed. Cold, boring, dark-and-dismal days. The snow fell and was bright but the sky was dull like a sick dog's nose. Anatoly and Leonid sat in their chairs and watched the machine that did nothing. (WE HEAR THEM YAWNING) Boris the crow watched with them... (A DISCREET CAW) ...his eyes twitching like tadpoles about to hatch. The gas pumped through the pipeline.....
 
FX SOUND OF PUMPING GAS; MUFFLED CLANKS, HISSES
 
THROCKMORTON: ...it pumped and pumped, pumped and pumped... and they watched...nothing happened and they watched...and they watched and watched...and they ate yak's feet and horrible buns...and at night they lay on their hard beds and dreamed of girls in Moscow. Then late one night...
 
FX THE UNMISTAKABLE SOUND OF A MAMMOTH SNUFFLING IN CRUSTY SNOW. LOW CLANKS OF ITS TRUNK BANGING ON THE SUBSTATION WALL
 
ANATOLY: WHAT WAS THAT?
 
FX THE CROW CAWS CREAKINGLY
 
LEONID: (SLEEPILY) It's just that daft crow again.
 
FX MORE NOISE FROM THE MAMMOTH
 
ANATOLY: It's coming from outside.
 
LEONID: (IN A SUDDEN PANIC, JUMPING OUT OF BED) It'll be someone fiddling with the red valve!!! (HE CLATTERS THROUGH THE ROOM, FLINGS OPEN DOOR, WHINE OF WIND) Don't you dare touch that red valve, whoever you are!!!! (SCREAMS IN FRIGHT) ARRRRRRHHHHH!!! (RUNS BACK INSIDE, SLAMS THE DOOR, PANTING)
 
ANATOLY: Who is it? Old Prokhobra playing tricks on us, I'll bet.
 
LEONID: (CAN'T GET THE WORD OUT) It's a Mm...
 
ANATOLY: A what?
 
LEONID: A Mmm...
 
ANATOLY: A Mmm?
 
LEONID: (FORCES IT OUT) A Mmm....thhhh. (HE SNEEZES)
 
ANATOLY: A Mmm....thhhh? (HE SNEEZES ALSO, THEN THE PENNY DROPS) A MAMMOTH????
 
LEONID: (FINDING HIS VOICE) It's out there! A whopping great Mmmm...mmm....mammoth!!! It looks drunk.
 
FX THE PAINFUL TRUMPET OF A SICK MAMMOTH, METALLIC BANGING OF A MAMMOTH'S TRUNK ON THE SIDE OF THE SUBSTATION
 
LEONID: It's come to eat us!
 
ANATOLY: Nonsense. They only eat giraffes. Nothing but giraffes.
 
LEONID: Positive?
 
FX MORE BANGINGS
 
ANATOLY: (SUDDENLY TEARFUL WITH FRIGHT) NO!!!
 
FX THE SAD EXPIRING GRUNT OF THE MAMMOTH, CRUNCH OF SNOW, IT FALLS TO ITS KNEES SOUNDING LIKE A LORRY DUMPING A LOAD OF FUR COATS AND BROKEN BISCUITS
 
FX/SPOT THE BOYS SHRIEK WITH FEAR!!! BORIS THE CROW SQUARKS LIKE A SHOT PARROT
 
  (SILENCE)
 
FX THEN, JUST THE SLOW DYING BREATHS OF THE MAMMOTH
 
ANATOLY: It's keeled over.
 
LEONID: Never has.
 
ANATOLY: Cummon, let's look.
 
LEONID: It's a trick. It'll jump up and eat us.
 
FX CREAKING OF THE DOOR AS ANATOLY OPENS IT. WHISTLE OF WIND. WE HEAR THE MAMMOTH'S DEATH-RATTLE MORE CLEARLY
 
ANATOLY: (AWESTRUCK AND SAD) Corrrr! It's on its knees. Listen to its breathing. It's dying.
 
LEONID: Uh-oh! Errr, Anatoly...errm.
 
ANATOLY: It must have been on its way to an elephants' graveyard in the forest, but it was too sick to go on.
 
LEONID: (NERVOUSLY TRYING TO POINT SOMETHING OUT) Anatoly...that tusk.
 
ANATOLY: Ginormous, isn't it!
 
LEONID: Not that tusk there, THAT TUSK THERE!!! It's stuck right through the red valve.
 
ANATOLY: Red valve!!! (SEES IT) Ohgh!!!
 
LEONID: When the beast keels over good-and-proper, it'll turn the valve good-and-proper...then you, me, Prokhobra, Svetlana and what was that other comrade's name?
 
ANATOLY: Krobotkin.
 
LEONID: And Krobotkin will all... (IN SUDDEN HUGE PANIC) GET BLOWN SKY HIGH!!!!!
 
FX A WEAK SNORT FROM THE MAMMOTH. IT SIGHS AND SHIFTS. ANATOLY AND LEONID NATTER IN FRIGHT!!!
 
BORIS THE CROW: That's it! I'm off to where the crow flies. They're not turning me into black feathers floating down onto the snow. (HE CAWS INTO THE DISTANCE)
 
LEONID: Who said that?
 
ANATOLY: I'll tell you what we'll do...
 
LEONID: What-What???
 
ANATOLY: We'll telephone Prokhobra.
 
LEONID: Check!
 
FX LEONID RUSHES INSIDE THE SUBSTATION. WE GO WITH HIM, SOUND OF MAMMOTH HEARD ONLY FAINTLY FROM IN THERE
 
LEONID: Now was it this green phone, or this green phone? (HE PICKS ONE UP, THE TONE IS A LOW RASPBERRY) Hello! Hello! Comrade Prokhobra! SVETLANA!!! HELLO!!! HELLO!!! (DROPS THE PHONE WITH A PING-DING, RUNS OUTSIDE AGAIN, SHOUTING BREATHLESSLY OVER THE MAMMOTH SIGHS AND WIND) They're busted. Lines must be down.
 
ANATOLY: (TAKING CHARGE) Right-okay-yes... RIGHT ... I'll stay here and sing the mammoth a song or something to keep it awake. You run along the pipeline and fetch Prokhobra.
 
LEONID: (ON HIS WAY) No sooner said... (THE CRUNCH OF HIS FEET IN SNOW)
 
ANATOLY: (SHOUTING AFTER) Not that way! That's South! To Krobotkin's! You want North! To Prokhobra's!!!
 
LEONID: (HURRYING BACK AND PAST) So sorry, won't happen again.
 
FX SICKLY SOUNDS FROM THE MAMMOTH, A METALLIC TWISTING OF THE VALVE
 
ANATOLY: (FREEZING AND TERRIFIED) Good mammoth, there's a good mammoth...don't die ...please don't die ... cos if you do you'll take me with you, and I don't want to die. Only a few minutes ago I was dreaming about the life I'll have one day. I'll be rich, with a swanky flat in Leningrad overlooking the Neva and a girl called Natasha to sing sweet songs to me... would you like to hear one of the songs she'll sing?
 
FX A SICKLY BUT AFFIRMATIVE GRUNT FROM THE MAMMOTH
 
ANATOLY: (SINGS NERVOUSLY) "Nellie the Elephant packed her trunk and said goodbye to the circus..."
 
FX A HORRIBLE CHOKING SOUND FROM THE MAMMOTH. IT COLLAPSES. THE CREAK OF THE RED VALVE, A SHARP METALLIC SNAP
 
ANATOLY: No! No! GRANDFATHER!!!!
 
FX THE BIGGEST EXPLOSION SINCE KRAKATOA
 
  (A SILENCE THAT GOES ON JUST A LITTLE TOO LONG...)
 
LEONID: (IN A TIZZY) Comrade Prokhobra... Comrade Prokhobra... at last I've found you... and Svetlana...cor!!! (SVETLANA, IT SEEMS, IS INDEED BEAUTIFUL) I'm Leonid Melnikov, don't you recognize me? The explosion, you must have heard the explosion. Come, we must go back and see if Anatoly... we grew up together, you know... and the mammoth... there was a mammoth, you see...
 
PROKHOBRA: (A NEW DREAMY TONE IN HIS VOICE) Oh, we heard the explosion, didn't we Svetlana?
 
SVETLANA: Only just, Sasha. Then we were dead.
 
LEONID: Dead?
 
PROKHOBRA: Svetlana and I were killed in the explosion. Now we shall wander the snowy wastes together...forever. Look, here comes Krobotkin. (SHOUTS TO DISTANCE) Yuri!!! Yuri!!! Are you dead?
 
KROBOTKIN: (CHEERFULLY, FROM DISTANCE) I'm dead!
 
LEONID: You're all dead?
 
SVETLANA: So are you, dear boy. Come, let me cuddle you. Prokhobra won't mind.
 
PROKHOBRA: I won't mind.
 
LEONID: I'M NOT DEAD!!!! I'M NOT!!!
 
PROKHOBRA: Of course you are.
 
LEONID: I'm not. The blast just knocked me face down in the snow. I'm all right, I tell you. But Anatoly!
 
SVETLANA: You're dead!
 
PROKHOBRA: You're both dead!
 
LEONID: (RUNNING MADLY AWAY FROM US THROUGH THE SNOW) Anatoly!!! Anatoly!!! Anatolyyyyyyyyyyyy!!!
 
  (MEANWHILE, KROBOTKIN TRUDGES UP)
 
KROBOTKIN: Helloooo, there!!!!!
 
PROKHOBRA: Yuri Tomasovitch Krobotkin, may I present Svetlana Borisovna Pinksi. She's very big and very beautiful, isn't she?
 
KROBOTKIN: If you like that sort of thing. What's up with that peculiar boy?
 
PROKHOBRA: (HIGHLY AMUSED) Says he's not dead.
 
  ALL THREE LAUGH, GHOSTLY CACKLESOME LAUGHTER. FADE LAUGHTER AND LOSE IT IN THE SIBERIAN WIND
 

 
SCENE 11 Ext: Snow
 
THROCKMORTON: (CLOSE, NARRATING) Leonid Melnikov was right. He wasn't dead. He was running through the snow towards a fire in the trees, a fire surrounded by a pool of melting snow where mice swam in circles. But where was my nephew Anatoly?
 
BINSLEY: Blown to bits, was he?
 
THROCKMORTON: Blown up, yes, high into the air, with clumps of mammoth hair that looked like wigs in flight from every bald head in the world. He landed miles away up a tree in a forest....
 
FX BANG ON THE END OF THROCKMORTON'S SPEECH: THE WHUMP OF ANATOLY LANDING IN THE SNOWY BRANCHES OF A TREE
 
  HIS SEMI-CONSCIOUS GROANS
 
BORIS THE CROW: You all right?
 
ANATOLY: Ooooh-urrrrr-oooooo.
 
BORIS THE CROW: You all right?
 
ANATOLY: I'm all right, I think. Where am I?
 
BORIS THE CROW: Miles away.
 
ANATOLY: Miles away from where?
 
BORIS THE CROW: From nowhere in particular. Coo, look down there!
 
FX THE SNORTING AND SNUFFLING OF 347 MAMMOTHS
 
ANATOLY: (ALMOST FALLING, KNOCKING DOWN CLUMPS OF SNOW) Mammoths! A whole herd! Hundreds of them!
 
BORIS THE CROW: 346, to be accurate. No, 347. (CAWS LOUDLY)
 
ANATOLY: Shhh your cawing, you're upsetting them. Hey, you don't think they blame me for what happened to the other one?
 
BORIS THE CROW: (CAWS SOME MORE)
 
ANATOLY: Shhhhhhhhhh!
 
FX THE MAMMOTHS SHIFT AND STAMP. MILD BUT TROUBLED TRUMPETING NEAR AND FAR
 
ANATOLY: Help me down this tree, will you?
 
BORIS THE CROW: Why should I?
 
ANATOLY: You're my friend.
 
BORIS THE CROW: I'm a bird. Just a bird. (SLYLY) Got any ballbearings?
 
ANATOLY: I'm up a tree in the middle of Siberia with a herd of cross-looking mammoths surrounding me and you ask for ballbearings!!!!
 
BORIS THE CROW: (SPITEFULLY) If you won't give me ballbearings, I'll go find someone who will! (HE FLIES OFF, CAWING)
 
ANATOLY: (CALLS AFTER) Boris!!! (MUTTERS AS HE BEGINS TO CLIMB DOWN) I'll fall and break my neck, or be impaled on mammoths' tusks, for sure. Oh, how I wish I was in Afghanistan chasing hamsters across the hot sand!
 
FX THE CRACKING OF BRANCHES, THE FALLING OF CLUMPS OF SNOW FROM BRANCHES. THE SNORTING OF MAMMOTHS SOUNDING NEARER AS HE DESCENDS
 
ANATOLY: (EXHAUSTED FROM THE EFFORT) Nearly there.... if I can just reach that sticky-out branch without knocking that huge clump of snow on my head... yes... yes...
 
FX THE SUDDEN CRACK OF THE BRANCH, THE WHUMP OF THE CLUMP OF SNOW HITTING ANATOLY, HIS SNOW-MUFFLED CRY. HE FALLS. SNAPPING OF BRANCHES, KA-WHUMP INTO SNOW
 
FX A HUGE AGITATION AMONG THE MAMMOTHS. ONE TRUMPETS AT THE BACK. OTHERS ANSWER, THEY ARE ABOUT TO CHARGE
 
ANATOLY: (GETTING TO HIS FEET) Nice mammoths, nice kind peaceful elephanty things! Good boys!
 
FX THEY CHARGE
 
ANATOLY: (EXCLAIMS) Krushchev!!!!!!
 
FX HE RUNS THROUGH THE FOREST, PANTING AND CRYING. THE MAMMOTHS CHASE, TRUMPETING LOUDLY. THEIR CHARGE IS THUNDEROUS, A THUNDER WITH TUBAS BEING CHUCKED OUT OF IT INTO VATS OF PORRIDGE. TREES BREAK IN THEIR PATH.
 

 
SCENE 12 Ext: Snow
 
  SUDDENLY WE ARE FURTHER AWAY. ANATOLY SEEMS TO BE CLIMBING UP A SLOPE
 
LEONID: (YELLS DELIGHTEDLY) Anatoly!!! Anatoly!!! You're alive!!!
 
ANATOLY: (EXHAUSTED) They're after me!!!!
 
LEONID: Who are?
 
ANATOLY: THEM!!!!!!!
 
FX THE MAMMOTH CHARGE COMES AROUND A BEND AND IS CLOSER
 
LEONID: Arrrrhhhh!
 
  THEY RUN FOR THEIR LIVES
 
ANATOLY: Run, Leonid!!!! Run for your life!!!
 
LEONID: I am! I am!
 
ANATOLY: If we keep going we should reach the Himalayas in a week or two.
 
LEONID: A week or two?
 
ANATOLY: If they don't catch us out with snowballs. They make them in their trunks. Rotten shots, though. There was one.
 
FX THE SOUND OF A SNOWBALL HITTING LEONID
 
LEONID: Oooch!!! How far are these Himalayas anyway?
 
BORIS THE CROW: (ON A SUDDEN FLAP-PAST) About three thousand miles as the crow flies.
 
LEONID: Who said that?
 
FX THEIR SNOW-CRUNCHING RUNNING
 
FX IT BECOMES LOST IN THE MAMMOTHS' TRUMPETING CHARGE, WHICH DESCENDS INTO A CACOPHANY, LIKE ALL PREHISTORY SCREAMING FOR A TAXI
 
FX FADE THIS AND BRING UP THE DISCREET TWEETING OF ENGLISH BIRDSONG
 

 
SCENE 13 Ext: Street
 
BINSLEY: They got squashed by the mammoths, did they?
 
THROCKMORTON: Goodness, no. The mammoths chased Anatoly and Leonid all the way to the Himalayas. Quite exhausting for all concerned, but especially for the mammoths. When they arrived in the foothills they just lay down with their tongues out, like beagles on a hot day. Anatoly and Leonid tied them up, knotting their trunks together in one big snaggity knot...
 
BINSLEY: Get away!
 
THROCKMORTON: Oh, yes. Oh, yes, yes, yes...and led them to Tashkent where they took the railway to Moscow where they sold the whole lot to the Moscow Circus for an enormous amount of money. My nephew Anatoly now lives in Leningrad in a charming flat overlooking the Neva. Oh, they didn't sell them all to the circus...they sent some of them to me for my birthday. 16 of them. They look very nice in my garden.
 
BINSLEY: Whoppers! Big whoppers, you tell! Nothing but whoppers! (ROUGHLY SNATCHING HIS MOTHER) Cummon, mother.
 
OLD MRS BINSLEY: (SINGS VAGUELY AND MADLY) "Nellie the Elephant packed her trunk and said goodbye to the circus..."
 
BINSLEY: (SHOUTING AS HE GOES) Whoppers!
 

 
SCENE 14 Int: House
 
FX A DOORBELL IS PRESSED, ANGRILY, OVER AND OVER. THE DOOR IS ALSO FRAPPED AND THE KNOCKER KNOCKED
 
FX THROCKMORTON OPENS THE DOOR
 
THROCKMORTON: Good afternoon.
 
BINSLEY: (IN A VEXED TIZZY) Remember me, do you?
 
THROCKMORTON: Erm, were you in the Napoleonic wars by any chance?
 
BINSLEY: In the High Street, the other day. You told me about the mammoths.
 
THROCKMORTON: Ah, yes. Mr Binsley, isn't it? How is your dear Mama?
 
BINSLEY: (STOMPING IN) Where are they, then? Cummon!
 
THROCKMORTON: (FOLLOWING HIM THROUGH THE HOUSE) Where are whom?
 
FX BINSLEY IS OPENING AND SHUTTING DOORS LIKE A WRONGED HUSBAND
 
BINSLEY: Them mammoths.
 
THROCKMORTON: (FOLLOWING) Oh, they're sleeping. I couldn't possibly have them disturbed.
 
BINSLEY: Whoppers! Big fat rotten whoppers!
 
THROCKMORTON: Very well. Come this way.
 
SPOT/FX THEY WALK THROUGH THE HOUSE, ON CARPET, THEN STONE, THEN CARPET AGAIN, THIS HAPPENS VERY QUICKLY...
 
THROCKMORTON: Did the self-multiplying 50-pence piece work all right?
 
BINSLEY: (WITH VEXED RELUCTANCE) Yes thank you.
 
FX THEY WALK INTO THE GARDEN
 
THROCKMORTON: Delightful garden, isn't it?
 
BINSLEY: (GRUNTS IN THE AFFIRMATIVE)
 
THROCKMORTON: (UNLATCHING A BARN DOOR) Here we are...
 
FX THE SOUND OF SIXTEEN SNORING MAMMOTHS, DREAMING ABOUT A MERRIE WORLD BEFORE MANKIND
 
BINSLEY: (A GASP)
 
THROCKMORTON: What, my dear fellow, would your limited knowledge of palaeontology say that these beasts are?
 
BINSLEY: (SCREAMS AS HE RUNS AWAY) Mammmmmmmmmmmmothhhssssssssss!!!!!!!!!!!!!!
 
THROCKMORTON: (TO MAMMOTHS) Any of you chaps care for an egg sandwich?
 
FX A HORRIBLE SLEEPY SNORT FROM SEVERAL OF THEM
 
THROCKMORTON: Be like that, then!
 
BORIS THE CROW: I'll have one if you put 12 ballbearings in it.
 
THROCKMORTON: I would never in any circumstances feed a crow more than 11 ballbearings.
 
BORIS THE CROW: 12.
 
THROCKMORTON: 11.
 
BORIS THE CROW: 12.
 
GRAMS PLAY OUT WITH 'THE VOLGA BOATMEN'. THROCKMORTON AND BORIS CONTINUE THEIR ARGUMENT THROUGH THE CREDITS, FINISHING WITH A DISTANT CAW FROM BORIS
 
  END
 
Home Radio If you have any comments or questions please email me: author@www.swalks.com